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Los Angeles, I Love You but You’re Bringing Me Down

Thursday, February 25th, 2010

Noah Baumbach, the writer-director most associated with Brooklyn, explains how he made an (almost) cliché-free movie about L.A.

Los Angeles magazine, March 2010

» The Filmmaker’s Back Story

Noah Baumbach’s first movie was shot in Los Angeles, and you weren’t supposed to know it. The writer-director had wanted to set Kicking and Screaming, his 1995 film about a group of friends struggling to get moving after college, at his alma mater, Vassar. He made do with Occidental College but worked to make Eagle Rock evoke an upstate New York vibe. Since then the 40-year-old New Yorker has depicted ’80s Brooklyn (in his 2005 film, The Squid and the Whale, which nabbed him an Academy Award nomination for Best Original Screenplay) and present-day Long Island (in 2007’s Margot at the Wedding).

In collaboration with his friend Wes Anderson, he has also imagined whimsical worlds (he and Anderson cowrote the scripts for 2004’s The Life Aquatic with Steve Zissou and last year’s Fantastic Mr. Fox, which is up for a Best Animated Feature Oscar this month). Now Baumbach has made his first film about Los Angeles. In theaters March 26, Greenberg stars Ben Stiller as a former musician who has returned home to L.A. to recover from a breakdown after living for years in New York. The city on display in Greenberg is less iconic than familiar. It is the L.A. that Baumbach has gotten to know thanks to his wife, the actress Jennifer Jason Leigh, who grew up here.

Baumbach and Leigh, who are expecting their first child this month, split their time between New York and L.A. “I would say we live in New York and have a house here. Jennifer would say something else,” he explains. “I think of it as, like, our country house in Los Angeles.”

-Amy Wallace

» Baumbach talks about Greenberg (as told to Amy Wallace)

I don’t know which came first—wanting to set a movie in L.A. or wanting to do a movie about a fortysomething guy who can’t get out of his own way. I had an idea of this character, Roger Greenberg. I wanted to tell a story about a guy who in these very particular ways is trapped in a false sense of himself. Someone who is still hung up on being perceived a certain way and is under the impression that people still care how he’s perceived. And the older he gets, the more this becomes an issue. It makes his life very hard to live. Click to continue »

Viggo Mortensen: Actor, Poet, Publisher, Man – LA Magazine

Tuesday, December 1st, 2009

An email exchange with Viggo Mortensen on the subjects of hope, endurance, and human nature.

Originally appeared in Los Angeles Magazine December, 2009

BY: Amy Wallace

He has been nominated for an Oscar (for the 2007 mystery Eastern Promises) and was declared a bona fide sex symbol (after his turn in the 2005 crime drama A History of Violence). He’s starred in three of the biggest-grossing movies of all time (The Lord of the Rings trilogy in 2001, 2002, and 2003). But Viggo Mortensen has always been motivated more by collaboration than celebrity. His new film, The Road, is an adaptation of Cormac McCarthy’s Pulitzer Prize-winning novel about survival in a postapocalyptic world of cannibalism and other unimaginable horrors. As “The Man,” Mortensen navigates this devastated landscape with his son (played by 11-year-old newcomer Kodi Smit-McPhee). We exchanged e-mails with the actor, poet, publisher (of the L.A.-based Perceval Press), and polyglot (he speaks Danish and Spanish, among other languages) on the subjects of hope, endurance, and human nature. Click to continue »

One Angry Betty – LA Magazine

Sunday, November 1st, 2009

Originally appeared in Los Angeles Magazine November, 2009

After she confessed to a young reporter about the murder of her ex-husband and his new wife, Betty Broderick became an icon for women scorned. Twenty years later, that reporter reconnects with the killer who launched her career.

BY: Amy Wallace

She took her gun, entered her ex-husband’s house, tiptoed into the darkened bedroom where he slept with his new young wife, and shot them both dead. In just seconds Betty Broderick ended two lives, but her vengeful act would do a lot more than that. Pop culture has long had a familiarity with ladies who kill the men they can’t keep. People have been singing “Frankie and Johnny” since the turn of the 20th century; George Cukor directed his classic film The Women in 1939. Twenty years ago, however, Betty riveted our attention like no other scorned woman. Instantly she became a new kind of antiheroine. Not only has the post-Betty era been richer in female payback, but unwittingly, in ways none of us could have imagined, she has helped change the rules of retribution. Click to continue »

Patricia Clarkson and Benicio Del Toro – LA Magazine

Sunday, February 1st, 2004

Los Angeles Magazine

February 1, 2004

BY: Amy Wallace

Los Angeles is an actor’s town. Some 40,000 actors call L.A. home. But more than their numbers, it is their hunger, their flair, and most of all their ability to face rejection daily and yet still reinvent themselves that fuel this city and make it unlike any other. Whether character actors or A-listers, newcomers or old-timers, the finest performers — like Patricia Clarkson and Benicio Del Toro — help us see ourselves in ways we never imagined.

Inside: How to survive a terrible audition, how to get Del Toro drunk, and how to turn Clarkson on. Click to continue »

Kathy Bates – Los Angeles Magazine

Saturday, March 1st, 2003

March 1, 2003

BY: Amy Wallace

THE OTHER DAY, KATHY BATES WAS STANDING with a friend on a street corner in Beverly Hills when a stranger offered an appraisal of her hot body.

“This guy said, ‘I hope you don’t take this the wrong way, but you have really great nipples!’” Bates says, delighted. “I’m over 50. I’m overweight. I was never the Twiggy type. I just laughed hysterically before I could think to say, ‘Gee, would you like to take us out for a drink?’”

At this, Bates throws back her head and lets out one hell of a laugh — warm and rolling. Ever since she stepped naked into a hot tub with Jack Nicholson in About Schmidt, Bates has gained something she’s never had before as a film actress: sex appeal. Click to continue »

Robert Newman – LA Magazine

Saturday, March 1st, 2003

The Un-agent Agent: He represents top directors. He drives a hard bargain. Mostly, though, Robert Newman just loves to sit in the dark

Originally appeared in Los Angeles Magazine March 1, 2003

BY: Amy Wallace

Robert Newman knows every movie theater in Los Angeles — where it is, what kind of seating it has, how many trailers it shows. Six of those theaters are on his speed dial. The numbers link him not to a recording but to a person who can tell him how big the screens are, which shows are most crowded. He loves crowds. He has never understood private screening rooms. He won’t watch a movie with just ten people if he can help it. He tries to see everything, preferably on opening weekend. If he hates a movie and walks out, at least he got a feeling for the audience, what the vibe was. “You walk in,” he says. “You have a point of view. The trailers go on. Okay. Done. Count me in.” Click to continue »

Jodie Foster – Los Angeles Magazine

Friday, March 1st, 2002

Los Angeles Magazine / March 1, 2002

INTERVIEWED BY: Amy Wallace

Jodie Foster sums it up: she’s focused, she’s critical, she’s downright mathematical. After so many movies, she knows how things work and why they don’t.

Click to continue »

Stacked Like Me – Los Angeles Magazine

Tuesday, January 1st, 2002

Los Angeles Magazine

January 1, 2002

By: Amy Wallace

LET ME TELL YOU WHAT HAPPENED WITH MY BREASTS TODAY. First, I spilled a latte all over them at the Coffee Bean and Tea Leaf. The lid on my cup wasn’t tight, so when I went to take a sip, milk foam poured and then puddled on my sweater. Stooping to wipe up what I presumed would be a mess on the floor, I found that little coffee had gotten past me. For the first time ever, my breasts were too grande for my latte. * Later, I took my breasts out to lunch at the 3rd Street Promenade in Santa Monica, where they promptly attracted the attention of, well, everybody. Outside the Broadway Deli, two men approached. They were well dressed, respectable-looking, and as they veered toward me, the one in the black designer suit leaned in, his eyes fixed like spotlights. “We love them,” he announced, smiling wickedly. * I’ve had breasts for years. But now I have the biggest, firmest breasts in sight–a plump, jiggling set that obscure my downward vision and get in the way when I drive. My new breasts are D cup. They weigh 23.2 ounces–about the same as a couple of average grapefruits. They sit high on my chest in a bra that makes the most of my cleavage. Click to continue »

Owen and Luke Wilson and Wes Anderson – LA Magazine

Saturday, December 1st, 2001

Los Angeles Magazine

December 1, 2001

BY: Amy Wallace

Bitter sweet dreamers: in their comedies Bottle Rocket, Rushmore, and now The Royal Tenenbaums, Wes Anderson and his friends Owen and Luke Wilson skirt irony in favor of sincerity. They are the perfect funnymen for an unfunny world.

Click to continue »

Hollywood’s Information Man – LA Magazine

Saturday, September 1st, 2001

He knows the movie business as well as anyone, and when he talks, studio chiefs listen. He’s Variety editor-in-chief Peter Bart, and he lives in curious coexistence with the industry he covers

Originally appeared in Los Angeles Magazine September 1, 2001

BY: Amy Wallace

Peter Bart is on the phone, and he’s threatening to sue.

“I really take umbrage at the gotcha nature of your interrogation,” he says. His voice is taut. I can’t see his knees, but I’m sure at least one is twitching.

Bart, the editor-in-chief of Variety, the entertainment industry’s dominant newspaper, is accustomed to being in charge. Studio heads woo him; strivers kiss his ass. Everyone wants his insight and his wisdom — or prominent placement in Variety’s big, glossy pages. In his weekly column, “The Back Lot,” he alternately strokes and scolds moguls and movie stars, addressing them by their first names. When Bart telephones the powerful, he is put right through. Now he’s calling me.

“I think to plunk documents out of context,” he says, “on people whose lives are as busy as yours or mine is a little unfair. This is not consistent with the access and cooperation I have afforded you.”

Over several months I have encountered a dizzying variety of Peters. I have spent many hours with Charming Peter, who is smart, funny, fierce. I have gotten to know Judgmental Peter, who loves to size up others. I’ve met Crude Peter, Brilliant Peter, Hypocritical Peter, Loyal Peter.

Bart calls himself “Zelig-like.” A setter of rules who hates to follow them, a lover of labels who resents being characterized, a seeker of the truth who doesn’t always tell it, Bart believes he is immune to the conflicts that derail lesser men. It’s one of the things that place him among the most despised and feared people in Hollywood. I listen to him speaking now. It’s a Peter I’ve never met.

“When you’re in public life, people attack you,” Intimidating Peter tells me. “But I’m taken aback by a bogus document suddenly being slammed on the desk. I’ll send you a note saying I will sue you, which I sure as hell will.” Click to continue »

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