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Los Angeles magazine answers the burning question: ‘What is Burn Notice?’

Wednesday, July 7th, 2010

While shopping at the Farmers Market, Jeffrey Donovan, the star of USA Network’s hit Burn Notice, opens up about his early struggles as an actor, doing his own stunts, and the right way to make vegetable soup

By Amy Wallace

Los Angeles magazine, July 2010

On this sunny morning at the Farmers Market, Jeffrey Donovan isn’t booby-trapping a doorway or defusing a bomb. He isn’t shaping cake frosting into blocks of counterfeit C4 authentic looking enough to fool an arms dealer or making an audio bug from a pair of cheap, rewired cell phones. No, the 42-year-old star of the number one show on cable—the wry spy drama Burn Notice—is simply reciting his recipe for vegetable soup. But since he’s already confided that he believes the best part of Burn Notice is that “nine times out of ten what we’re telling you is counterintuitive,” it’s easy to see his veggie brew as a metaphor.

“Take a lot of parsnips and carrots, summer squash—a medley. Then chop everything up, sauté it with a little bit of butter and olive oil, and boil it,” he says as he surveys rows of organic produce. “What most people do is make that their soup. No.”

This last directive he utters with a finality that fans of his USA Network series, whose fourth season premiered in early June, will recognize. Jaunty in a white formfitting T-shirt, gray suit pants, Puma sneakers, and a gray baseball cap, Donovan looks taut, like you could bounce a quarter off almost any part of his body. Not that you’d dare. His navy blue eyes squint slightly now as if to say: Pay attention. There might be a quiz later.

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The Ice King: Jeffrey Katzenberg’s Special Frozen Needs

Saturday, June 19th, 2010

A former Hollywood production assistant  dishes on how the DreamWorks executive takes his meetings on the rocks

Originally appeared in Los Angeles June 2010

As told to Amy Wallace

At DreamWorks Animation, they have free lunch. So as a PA there, you don’t have to pick up food. But you do have to get Jeffrey Katzenberg’s ice. At the campus in Glendale, there is an office. It is unmarked. And I think it’s guarded by some type of demon. In that office is a refrigerator. The refrigerator makes a specific kind of ice that Jeffrey likes, a cylindrical ice, with a hole in it. This refrigerator, which has its own office, makes ice. For Jeffrey. Only for Jeffrey. Jeffrey’s life is meetings. And the meetings are in different rooms. But this refrigerator office is not near any of them. It is the PA’s job to figure out exactly where Jeffrey is going to sit at each meeting and then to place, to his right, a certain type of glass filled to a very specific level with the special office ice. Next to the glass goes a little bottle of Diet Coke. Here’s the problem: Meetings are often pushed. Jeffrey’s earlier meeting is running long. So all of a sudden the perfect glass of ice has water in it. Now it’s a judgment call: Can I get this glass filled with fresh ice and be back here before the meeting starts? And you’re running down hallways, through buildings, with a glass of ice in your hand, and people see you and laugh and say, “You better hurry up! Jeffrey’s coming!”

“I Said Dressing on the Side!” – Confessions of a Hollywood Grunt

Saturday, June 19th, 2010

Lunch is anything but a break for Hollywood’s production assistants. A former PA tells what it’s like to battle traffic, tickets, and spills

As told to Amy Wallace

Originally appeared in Los Angeles Magazine June 2010

When you move to L.A. to work in Hollywood, there’s no clear path. But if you don’t get broken down and don’t give up, you’ll get there. That’s what being a production assistant is all about.

I’ve worked as a PA at DreamWorks and at Sony. Being a PA is very much like a hazing ritual. The goal is to get a reputation as someone who’s really hard-core and unflappable. But, oh, man, do you have every opportunity to be flapped. Especially when it comes to delivering lunch. Click to continue »

Los Angeles, I Love You but You’re Bringing Me Down

Thursday, February 25th, 2010

Noah Baumbach, the writer-director most associated with Brooklyn, explains how he made an (almost) cliché-free movie about L.A.

Los Angeles magazine, March 2010

» The Filmmaker’s Back Story

Noah Baumbach’s first movie was shot in Los Angeles, and you weren’t supposed to know it. The writer-director had wanted to set Kicking and Screaming, his 1995 film about a group of friends struggling to get moving after college, at his alma mater, Vassar. He made do with Occidental College but worked to make Eagle Rock evoke an upstate New York vibe. Since then the 40-year-old New Yorker has depicted ’80s Brooklyn (in his 2005 film, The Squid and the Whale, which nabbed him an Academy Award nomination for Best Original Screenplay) and present-day Long Island (in 2007’s Margot at the Wedding).

In collaboration with his friend Wes Anderson, he has also imagined whimsical worlds (he and Anderson cowrote the scripts for 2004’s The Life Aquatic with Steve Zissou and last year’s Fantastic Mr. Fox, which is up for a Best Animated Feature Oscar this month). Now Baumbach has made his first film about Los Angeles. In theaters March 26, Greenberg stars Ben Stiller as a former musician who has returned home to L.A. to recover from a breakdown after living for years in New York. The city on display in Greenberg is less iconic than familiar. It is the L.A. that Baumbach has gotten to know thanks to his wife, the actress Jennifer Jason Leigh, who grew up here.

Baumbach and Leigh, who are expecting their first child this month, split their time between New York and L.A. “I would say we live in New York and have a house here. Jennifer would say something else,” he explains. “I think of it as, like, our country house in Los Angeles.”

-Amy Wallace

» Baumbach talks about Greenberg (as told to Amy Wallace)

I don’t know which came first—wanting to set a movie in L.A. or wanting to do a movie about a fortysomething guy who can’t get out of his own way. I had an idea of this character, Roger Greenberg. I wanted to tell a story about a guy who in these very particular ways is trapped in a false sense of himself. Someone who is still hung up on being perceived a certain way and is under the impression that people still care how he’s perceived. And the older he gets, the more this becomes an issue. It makes his life very hard to live. Click to continue »

Viggo Mortensen: Actor, Poet, Publisher, Man – LA Magazine

Tuesday, December 1st, 2009

An email exchange with Viggo Mortensen on the subjects of hope, endurance, and human nature.

Originally appeared in Los Angeles Magazine December, 2009

BY: Amy Wallace

He has been nominated for an Oscar (for the 2007 mystery Eastern Promises) and was declared a bona fide sex symbol (after his turn in the 2005 crime drama A History of Violence). He’s starred in three of the biggest-grossing movies of all time (The Lord of the Rings trilogy in 2001, 2002, and 2003). But Viggo Mortensen has always been motivated more by collaboration than celebrity. His new film, The Road, is an adaptation of Cormac McCarthy’s Pulitzer Prize-winning novel about survival in a postapocalyptic world of cannibalism and other unimaginable horrors. As “The Man,” Mortensen navigates this devastated landscape with his son (played by 11-year-old newcomer Kodi Smit-McPhee). We exchanged e-mails with the actor, poet, publisher (of the L.A.-based Perceval Press), and polyglot (he speaks Danish and Spanish, among other languages) on the subjects of hope, endurance, and human nature. Click to continue »

One Angry Betty – LA Magazine

Sunday, November 1st, 2009

Originally appeared in Los Angeles Magazine November, 2009

After she confessed to a young reporter about the murder of her ex-husband and his new wife, Betty Broderick became an icon for women scorned. Twenty years later, that reporter reconnects with the killer who launched her career.

BY: Amy Wallace

She took her gun, entered her ex-husband’s house, tiptoed into the darkened bedroom where he slept with his new young wife, and shot them both dead. In just seconds Betty Broderick ended two lives, but her vengeful act would do a lot more than that. Pop culture has long had a familiarity with ladies who kill the men they can’t keep. People have been singing “Frankie and Johnny” since the turn of the 20th century; George Cukor directed his classic film The Women in 1939. Twenty years ago, however, Betty riveted our attention like no other scorned woman. Instantly she became a new kind of antiheroine. Not only has the post-Betty era been richer in female payback, but unwittingly, in ways none of us could have imagined, she has helped change the rules of retribution. Click to continue »

Patricia Clarkson and Benicio Del Toro – LA Magazine

Sunday, February 1st, 2004

Los Angeles Magazine

February 1, 2004

BY: Amy Wallace

Los Angeles is an actor’s town. Some 40,000 actors call L.A. home. But more than their numbers, it is their hunger, their flair, and most of all their ability to face rejection daily and yet still reinvent themselves that fuel this city and make it unlike any other. Whether character actors or A-listers, newcomers or old-timers, the finest performers — like Patricia Clarkson and Benicio Del Toro — help us see ourselves in ways we never imagined.

Inside: How to survive a terrible audition, how to get Del Toro drunk, and how to turn Clarkson on. Click to continue »

Kathy Bates – Los Angeles Magazine

Saturday, March 1st, 2003

March 1, 2003

BY: Amy Wallace

THE OTHER DAY, KATHY BATES WAS STANDING with a friend on a street corner in Beverly Hills when a stranger offered an appraisal of her hot body.

“This guy said, ‘I hope you don’t take this the wrong way, but you have really great nipples!’” Bates says, delighted. “I’m over 50. I’m overweight. I was never the Twiggy type. I just laughed hysterically before I could think to say, ‘Gee, would you like to take us out for a drink?’”

At this, Bates throws back her head and lets out one hell of a laugh — warm and rolling. Ever since she stepped naked into a hot tub with Jack Nicholson in About Schmidt, Bates has gained something she’s never had before as a film actress: sex appeal. Click to continue »

Robert Newman – LA Magazine

Saturday, March 1st, 2003

The Un-agent Agent: He represents top directors. He drives a hard bargain. Mostly, though, Robert Newman just loves to sit in the dark

Originally appeared in Los Angeles Magazine March 1, 2003

BY: Amy Wallace

Robert Newman knows every movie theater in Los Angeles — where it is, what kind of seating it has, how many trailers it shows. Six of those theaters are on his speed dial. The numbers link him not to a recording but to a person who can tell him how big the screens are, which shows are most crowded. He loves crowds. He has never understood private screening rooms. He won’t watch a movie with just ten people if he can help it. He tries to see everything, preferably on opening weekend. If he hates a movie and walks out, at least he got a feeling for the audience, what the vibe was. “You walk in,” he says. “You have a point of view. The trailers go on. Okay. Done. Count me in.” Click to continue »

Jodie Foster – Los Angeles Magazine

Friday, March 1st, 2002

Los Angeles Magazine / March 1, 2002

INTERVIEWED BY: Amy Wallace

Jodie Foster sums it up: she’s focused, she’s critical, she’s downright mathematical. After so many movies, she knows how things work and why they don’t.

Click to continue »

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