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Articles that have been published in Code Nast Portfolio.

 

Longform.org has posted my 2001 profile of Peter Bart. This was my 2009 update

Sunday, August 14th, 2011

The Peter Bart I Knew

Condé Nast Portfolio’s Amy Wallace—writer of a definitive profile of the former Variety editor—looks at what his departure means for Hollywood.

Originally appeared on Portfolio.com April 08, 2009

Eight years ago, I wrote a lengthy profile of Peter Bart, the long-standing and powerful editor of the entertainment trade paper Variety, for Los Angeles Magazine. In it, I quoted the movie producer and former studio chief Peter Guber saying something that bears repeating today, as Bart’s reign ends.

“Peter is riding in the general’s car—Variety is the general’s car. And you salute the general’s car even when the general’s not in it,” Guber said of his friend Bart. “I say to him, ‘Never let go of this job, because the wolves will attack. People are kept at bay by your power.’”

On Sunday, Variety’s owners, Reed Business Information, quietly announced that Bart, 76, would no longer be riding in the general’s car. Effective immediately, he is being replaced by his No. 2, Timothy M. Gray. But here’s what occurred to me as I read that news: The end of Bart’s tenure says more about the 104-year-old vehicle he piloted for two decades than it does about him.

Bart’s influence was greatest in an age when Click to continue »

Kenneth Starr = Mini-Madoff?

Thursday, May 27th, 2010

Today’s criminal complaint against Kenneth Starr, the financial adviser to many a Hollywood A-lister, made me dig out a story I wrote last year about business managers who serve the entertainment industry. It ran in the March 2009 issue of Portfolio (the now-defunct business magazine where I was a senior writer). The complaint, as outlined by the Daily Beast, mentions several anonymous clients who were allegedly defrauded by him and his firm. The Beast says those clients include actress Uma Thurman and agent Jim Wiatt. Sound familiar?

Madoff’s Hollywood Connection

By Amy Wallace

The roster of victims goes way beyond Spielberg and Katzenberg. How did the scam of the century reach all the way across the country and into the pockets of the showbiz elite? It wasn’t hard at all.

To hear him talk about the economic challenges facing the entertainment industry, you’d think that Jeffrey Katzenberg, CEO of DreamWorks Animation SKG, would be worried. Still, sitting in a meeting room on the DreamWorks campus, surrounded by plush toys commemorating his company’s biggest hits, Katzenberg speaks in a tone that borders on serenity.

“I tell people, ‘Wherever you are today, this is the new great,’ ” he says, a Kung Fu Panda doll looming over his shoulder. “The sooner you forget what you had, the better off you’ll be.”

Katzenberg’s Zen-like calm is especially surprising, given that just weeks before, he’d learned that he was among the Hollywood victims of Bernard Madoff’s Ponzi scheme. Both Katzenberg and his DreamWorks co-founder, Steven Spielberg, had millions tied up with Madoff, most of it money they’d set aside for charity and all of it probably gone. As Katzenberg speaks of the belt-tightening that is happening in Hollywood, it’s hard not to wonder about his own belt.

“If you look at where you were last summer, and that’s your measure of how you’re doing, it’s hopeless,” he says. His words could also apply to life after Madoff, I suggest. Katzenberg nods. His loss was humiliating, he admits. “It’s gone. It’s finished,” he says. He refuses to reveal how much “it” is, though public tax filings show his and his wife’s foundation had assets of more than $22 million in 2007. “I’m as lucky and as blessed as I can be,” he says. “Let’s move on.”

If only it were so easy. The names of Madoff’s other Hollywood victims are still gradually and grudgingly coming to light. Condé Nast Portfolio has learned that Arnon Milchan, the billionaire producer of such films as Fight Club and Pretty Woman, lost at least $18 million in the scam. (Milchan declined to comment.) Actors Kevin Bacon and Kyra Sedgwick, who are married, have acknowledged that they too were taken. Click to continue »

Madoff’s Hollywood Connection – Condé Nast Portfolio

Sunday, March 1st, 2009

The roster of victims goes way beyond Spielberg and Katzenberg.

How did the scam of the century reach all the way across the country and into the pockets of the showbiz elite? It wasn’t hard at all.

Originally appeared in Condé Nast Portfolio March, 2009

BY: Amy Wallace

To hear him talk about the economic challenges facing the entertainment industry, you’d think that Jeffrey Katzenberg, CEO of DreamWorks Animation SKG, would be worried. Still, sitting in a meeting room on the DreamWorks campus, surrounded by plush toys commemorating his company’s biggest hits, Katzenberg speaks in a tone that borders on serenity. Click to continue »

Greed isn’t so good anymore – Rewriting Wall Street – Condé Nast Portfolio

Sunday, February 1st, 2009

Get Me Rewrite, Rewrite, Rewrite

Fox hits up Hollywood A-listers to make a sequel to Oliver Stone’s Wall Street.

Originally appeared in Condé Nast Portfolio February, 2009

BY: Amy Wallace

Gordon Gekko is an ex-con, fresh out of prison. The year is 2009. The place: New York. In Money Never Sleeps, a script floating around Hollywood, Gekko, the corporate raider from Wall Street, is back. Now barred from trading, Gekko ­instead reads to poor kids in Harlem by day and hosts charity galas by night. He is an avid art collector whose cell-phone ringtone plays the crashing chords from Modest Mussorgsky’s Pictures at an Exhibition. Click to continue »

Rock Stars of Tech – Conde Nast Portfolio

Tuesday, January 1st, 2008

Originally appeared in Conde Nast Portfolio January, 2008

BY: Amy Wallace

He’s Mark Zuckerberg’s coach, Bill Gates’ editor, Bono’s business partner, and an owner of Forbes. But Roger McNamee—the guitar-strumming soul of one of the quirkiest private equity shops in Silicon Valley—still hasn’t found what he’s looking for.

Click to continue »

Nastier than a Speeding Bullet — Portfolio

Monday, October 1st, 2007

A battle for control of the Superman franchise pits Time Warner against the original Lois Lane.

Originally appeared in Portfolio, October 2007

BY: Amy Wallace

In May 2002, Richard Parsons, then co-chief operating officer of AOL Time Warner, received a scathing letter from the widow of Jerome Siegel, the man who invented Superman.

  “Dear Dick,” wrote Joanne Siegel. “Have you been aware that your representatives have gone too far?”

In the mid-1930s, when she was in her late teens, Siegel had been the sketch model for Lois Lane. Now she was accusing Parsons’ company of trying to fleece her and her daughter of their share of Superman revenues. She called AOL Time Warner “greedy” and alleged a “heartless attempt” to rewrite history. “Just like the Gestapo, your company wants to strip us naked of our legal rights…. Is that the reputation you want?”

In the five years since Parsons received that three-page screed, Siegel’s outrage has found a more formal outlet: two lawsuits, both championed by a controversial Malibu litigator named Marc Toberoff. The 52-year-old attorney has made a career of taking on big entertainment companies on behalf of creators and their heirs. He has been especially successful against what is now Time Warner.

Click to continue »

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