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LA Story: Rashida Jones

Thursday, January 27th, 2011

The omnipresent actress—she’s in NBC’s Parks and Recreation and the Oscar shoo-in The Social Network—talks about rebellion, See’s lollipops, and, oh yeah, her parents (Quincy Jones and Peggy Lipton)

As told to Amy Wallace

Originally appeared in the February 2011 issue of Los Angeles magazine

I knew who O.J. Simpson was—he and my parents traveled in some of the same circles. Growing up, we lived down the street from them in Brentwood. There weren’t a ton of mixed-race couples in Hollywood, and that was a bond that I was supposed to feel good about. But the O.J. Simpson trial was disillusioning for me. It was the first time I realized that sometimes privilege can trump justice. It seemed insane to me that the man could have so much evidence stacked against him and still, because he managed to get a great defense team, be acquitted. When the verdict came out, I was at Harvard, watching on TV.

But I remember it divided the city of Los Angeles so much—the verdict became a racial issue, but to me it was a justice issue. I hated the fact that Simpson was in any way representing justice for black people in California. I had wanted to be a lawyer, but after that I decided to do something else.

I think every teenager is prone to rebellion. In my case, with my parents being performers, my rebellion was, “I’m going to go be an academic or a business professional.” That somehow seemed legitimate and was going to make me autonomous from my family. My parents are excellent people. They were hippies. They made their own life here, their own careers. That was cool, but I wanted something that was my own. I will always be somewhat of a bookworm, but ultimately I realized I had to perform. It’s so freeing. Genetically, I’m probably programmed to love that.

I have great memories of growing up here: being at Westlake Recording Studios with my dad in the studio with Michael Jackson and his various animals. Visiting my grandparents on Broad Beach in Malibu. Having Passover seder at Chasen’s, where the Bristol Farms is now at Beverly and Doheny. One year, when I was eight, I found the afikomen, and I got a bag of See’s lollipops. That was probably the pinnacle of my life.

There are a lot of dangers to growing up in L.A. There’s no guarantee that your kid is going to turn out to be a hardworking, ambitious, not-superficial person with fire under their ass. When I was younger, I saw the East Coast as the opposite of that. I moved to New York right after college and always said I would never move back here as long as I lived. Of course, I did come back, and I’m very happy. And now I kind of get it: New York is like dating a very crazy person who you have mad, passionate sex with. You just don’t know when they’re going to turn on you and get angry, and the weather’s gonna be horrible, and they’re going to treat you like shit. L.A. is more neutral. It doesn’t tell you how to feel. It doesn’t guide you in the direction of what you’re supposed to be doing and how you’re supposed to be doing it. But you can come here and create a little world for yourself. It’s a very generous city.

Wise Guy: Seth MacFarlane in Details

Thursday, August 5th, 2010

Seth MacFarlane Sounds Off

The outspoken Family Guy creator has amassed a legion of loyal fans and almost as many mortal enemies—and he has a hundred million reasons to keep the fart jokes coming.

By Amy Wallace

August 2010 Details magazine

Details: Thanks to a $100 million deal with FOX, you’re the highest-paid writer-producer on TV. How has life changed? Seth MacFarlane: I have the same job. I go to the same place every day and work with the same people. I bought a new house. I have a car that I like—an Aston Martin—for Sunday drives in the country. I bought a piece of a plane so I could avoid the airports. But look, I’ll still go through the Burger King drive-thru.

Details: Whopper? Seth MacFarlane: Well, Whopper Jr. these days, now that I’m in my thirties.

Details: Are women just crawling out of the woodwork? Seth MacFarlane: Believe it or not, I have about the same success rate as anyone else. Sometimes you hit, sometimes you miss. When you’re dealing with women of substance and quality, success in Hollywood can be something you’re actually fighting a perception of. Without naming names, there are certainly a lot of people who do what I do who have taken enough hedonistic advantage of their position as to put a negative stigma on the job. If you’re a producer, you’re somebody to check into.

Details: A player. Seth MacFarlane: Exactly. I tried that for a little while. It’s somewhat dissatisfying. With the sort of woman who’s worth spending a significant amount of your time with, you do oftentimes have to press a little bit to insist that they get to know you.

Details: To prove you’re not a cad? Seth MacFarlane: A douche. I don’t own one wool knit cap, though, so I think I’ve got that going for me. Click to continue »

Sharon Stone is Shameless

Tuesday, May 18th, 2010

A friend just told me she just received her June  More magazine, whose cover story on Sharon Stone I had the pleasure of writing. The whole piece isn’t online yet, but here’s the lede (and a photo by Brigitte Lacombe):

Sharon Stone: Why I'm ShamelessSharon Stone is shameless. The actress considers it a skill to have no shame. She thinks everyone should try it, though she cautions that if you’re female, shamelessness can cost you. Her refusal to feel guilty, she says, has gotten her labeled difficult, or worse.

“I’m like a Prohibition-era flapper. I’m like a juke-joint hussy,” Stone says over lunch at an Italian restaurant near Beverly Hills. But better to be called names than to be pressured into not being herself. Feeling ashamed, she says, “is not an organic state of being, so shamelessness is closer to godliness. You have to put shame down.”

Dana Delany: Sex & Sensibility – More magazine

Wednesday, April 28th, 2010

She’s neither desperate nor a housewife, and that’s just the way she likes it. Dana Delany sounds off about her single status, why lovemaking gets livelier after 50 and the male star who’s her surprising role model.

Originally appeared in April 2010 More

By Amy Wallace

Photographs spill out of big manila envelopes, making a mess of Dana Delany’s coffee table. There’s one of Dana at about age five, chubby and jubilant, a Mexican hat on her head and dish of M&M’s in her hand. There’s the actress at 16, with frosted hair, and another snap taken a few years later, after she opted for a perm. She grimaces, but fondly, as she appraises them: the head shots (doe-eyed ingenue, strong-jawed heroine, and one that she calls her Shannen Doherty look); the captured moments from her film, theater and TV work; the Polaroids from countless photo shoots and a pile of candids with her family and friends.

As she shows me a group portrait of her father, uncle and paternal grandfather (“I identify with all of them. We’re all Irishmen”), I start to divine a pattern, which continues to emerge as she offers up shots from her fiftieth birthday party four years ago, which was hosted by her best friend, who happens to be male. “I was his best man at his wedding,” she says, and I’m tempted to comment, but Delany beats me to it.

“The thing I notice is I’m hanging with the boys,” she says, fanning the photos in front of her. Only later will I realize she is leading up to the most surprising moment of our interview. Click to continue »

Los Angeles, I Love You but You’re Bringing Me Down

Thursday, February 25th, 2010

Noah Baumbach, the writer-director most associated with Brooklyn, explains how he made an (almost) cliché-free movie about L.A.

Los Angeles magazine, March 2010

» The Filmmaker’s Back Story

Noah Baumbach’s first movie was shot in Los Angeles, and you weren’t supposed to know it. The writer-director had wanted to set Kicking and Screaming, his 1995 film about a group of friends struggling to get moving after college, at his alma mater, Vassar. He made do with Occidental College but worked to make Eagle Rock evoke an upstate New York vibe. Since then the 40-year-old New Yorker has depicted ’80s Brooklyn (in his 2005 film, The Squid and the Whale, which nabbed him an Academy Award nomination for Best Original Screenplay) and present-day Long Island (in 2007’s Margot at the Wedding).

In collaboration with his friend Wes Anderson, he has also imagined whimsical worlds (he and Anderson cowrote the scripts for 2004’s The Life Aquatic with Steve Zissou and last year’s Fantastic Mr. Fox, which is up for a Best Animated Feature Oscar this month). Now Baumbach has made his first film about Los Angeles. In theaters March 26, Greenberg stars Ben Stiller as a former musician who has returned home to L.A. to recover from a breakdown after living for years in New York. The city on display in Greenberg is less iconic than familiar. It is the L.A. that Baumbach has gotten to know thanks to his wife, the actress Jennifer Jason Leigh, who grew up here.

Baumbach and Leigh, who are expecting their first child this month, split their time between New York and L.A. “I would say we live in New York and have a house here. Jennifer would say something else,” he explains. “I think of it as, like, our country house in Los Angeles.”

-Amy Wallace

» Baumbach talks about Greenberg (as told to Amy Wallace)

I don’t know which came first—wanting to set a movie in L.A. or wanting to do a movie about a fortysomething guy who can’t get out of his own way. I had an idea of this character, Roger Greenberg. I wanted to tell a story about a guy who in these very particular ways is trapped in a false sense of himself. Someone who is still hung up on being perceived a certain way and is under the impression that people still care how he’s perceived. And the older he gets, the more this becomes an issue. It makes his life very hard to live. Click to continue »

Meg Whitman’s Political Reinvention – More

Thursday, January 21st, 2010

She has a billion dollars and she wants to be Governor of California. Her critics say she’ll try to buy the election. Her supporters say that as the former CEO of eBay, she has the business chops to salvage a near-bankrupt state.

Originally appeared in More Magazine February, 2010

BY: Amy Wallace

Ground zero for Meg Whitman’s campaign for governor of California is a suite of rooms modestly tucked into a colorless cookie-cutter office park—all sprayed stucco walls and fluorescent lights. I’m ushered into a conference room so unadorned there is not even a campaign poster on the walls. Whitman sits at the head of a white meeting table, and as I sit down beside her, two handlers pull up chairs as well. The space offers no clues to Whitman’s personality, and she doesn’t reveal much herself. In her black suit and black-and-white sweater, the former CEO of eBay, now 53, is still the picture of a put-together corporate titan. And her approach is all business. Seeming energized by an earlier discussion of the state budget with her campaign staff, she tosses numbers around with confidence. When I ask where she’ll find the votes to win the race (the primary is in June, the general in November), she breaks down the research in a tone so self-assured that I can almost see a thought bubble forming over her head: Statistics may scare some women, but not me. Click to continue »

Heel, Cesar! – Elle

Wednesday, January 20th, 2010

What most people don’t know is that long ago, before Cesar Millan became TV’s beloved canine savant, the Dog Whisperer, his wife had to teach him how to love women.

Originally appeared in Elle February, 2010

BY: Amy Wallace

What, you were expecting peace and quiet,muchachas? Cesar Millan may be known as the Dog Whisperer, but in his kitchen on a recent afternoon, there is not a moment of silence. When Millan and his wife, Ilusion, aren’t taking turns bobbling a friend’s baby on their knees or admiring their youngest son’s new braces, they are talking excitedly. Often at the same time. Click to continue »

Viggo Mortensen: Actor, Poet, Publisher, Man – LA Magazine

Tuesday, December 1st, 2009

An email exchange with Viggo Mortensen on the subjects of hope, endurance, and human nature.

Originally appeared in Los Angeles Magazine December, 2009

BY: Amy Wallace

He has been nominated for an Oscar (for the 2007 mystery Eastern Promises) and was declared a bona fide sex symbol (after his turn in the 2005 crime drama A History of Violence). He’s starred in three of the biggest-grossing movies of all time (The Lord of the Rings trilogy in 2001, 2002, and 2003). But Viggo Mortensen has always been motivated more by collaboration than celebrity. His new film, The Road, is an adaptation of Cormac McCarthy’s Pulitzer Prize-winning novel about survival in a postapocalyptic world of cannibalism and other unimaginable horrors. As “The Man,” Mortensen navigates this devastated landscape with his son (played by 11-year-old newcomer Kodi Smit-McPhee). We exchanged e-mails with the actor, poet, publisher (of the L.A.-based Perceval Press), and polyglot (he speaks Danish and Spanish, among other languages) on the subjects of hope, endurance, and human nature. Click to continue »

Pee-wee Herman Rides Again – Details

Sunday, November 1st, 2009

After Carrying Tabloid Baggage For 18 Years, Paul Reubens Is Back In The Saddle — And In The Playhouse. Ready For A Big Adventure, Boys And Girls?

Originally appeared in Details November, 2009

BY: Amy Wallace

Paul Reubens is doing one of the things he does best: obsessing. “I am constantly hoping that, like, I’m still relevant at all,” he says in a voice—higher than most men’s, slightly nasal—that’s still familiar, even after all these years.

Wandering around the Hollywood Museum, just a few blocks from his star on the Hollywood Walk of Fame, he has lingered over the red-and-white vintage bicycle that he rode in his 1985 movie Pee-wee’s Big Adventure. He has appraised the display containing the skinny gray suit (with red bow tie) that was his uniform on his Saturday-morning TV show, Pee-wee’s Playhouse, which aired on CBS from 1986 to 1991. But it’s not the Pee-wee Herman memorabilia, which sits near W.C. Fields’ top hat and Brendan Fraser’s George of the Jungle loincloth, that sets off Reubens’ OCD. Instead, the trigger is Bob Hope’s honorary Oscar. “When I was a kid, I’d always watch Bob Hope and go, like, ‘I know he must’ve been funny, but is he past his prime?’” Reubens says. “What I’m trying to prove now is that I still have it, I’m still around—I still am Pee-wee Herman, and Pee-wee Herman is still funny. So I’m feeling very Bob Hope—hoping I don’t see a parallel.” Click to continue »

Whispering to Rottweilers, and to C.E.O.’s – New York Times

Sunday, October 11th, 2009

Cesar Millan, the “Dog Whisperer,” built a multimillion-dollar company on his skill with pets and their owners. “God was my lawyer,” he says.

Originally appeared in the New York Times on 10/11/2009

BY: Amy Wallace

IT’S a miracle. That’s what the humans believe, more often than not, after watching this compact, 40-year-old C.E.O. do his work. He enters a room purposefully, his chest thrust forward and a smile on his face. “How can I help?” is his standard introduction, and the way he says it — calmly, assertively — indicates that your problems are about to be solved. Click to continue »

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