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Pee-wee Herman Rides Again – Details

Sunday, November 1st, 2009

After Carrying Tabloid Baggage For 18 Years, Paul Reubens Is Back In The Saddle — And In The Playhouse. Ready For A Big Adventure, Boys And Girls?

Originally appeared in Details November, 2009

BY: Amy Wallace

Paul Reubens is doing one of the things he does best: obsessing. “I am constantly hoping that, like, I’m still relevant at all,” he says in a voice—higher than most men’s, slightly nasal—that’s still familiar, even after all these years.

Wandering around the Hollywood Museum, just a few blocks from his star on the Hollywood Walk of Fame, he has lingered over the red-and-white vintage bicycle that he rode in his 1985 movie Pee-wee’s Big Adventure. He has appraised the display containing the skinny gray suit (with red bow tie) that was his uniform on his Saturday-morning TV show, Pee-wee’s Playhouse, which aired on CBS from 1986 to 1991. But it’s not the Pee-wee Herman memorabilia, which sits near W.C. Fields’ top hat and Brendan Fraser’s George of the Jungle loincloth, that sets off Reubens’ OCD. Instead, the trigger is Bob Hope’s honorary Oscar. “When I was a kid, I’d always watch Bob Hope and go, like, ‘I know he must’ve been funny, but is he past his prime?’” Reubens says. “What I’m trying to prove now is that I still have it, I’m still around—I still am Pee-wee Herman, and Pee-wee Herman is still funny. So I’m feeling very Bob Hope—hoping I don’t see a parallel.” Click to continue »

One Angry Betty – LA Magazine

Sunday, November 1st, 2009

Originally appeared in Los Angeles Magazine November, 2009

After she confessed to a young reporter about the murder of her ex-husband and his new wife, Betty Broderick became an icon for women scorned. Twenty years later, that reporter reconnects with the killer who launched her career.

BY: Amy Wallace

She took her gun, entered her ex-husband’s house, tiptoed into the darkened bedroom where he slept with his new young wife, and shot them both dead. In just seconds Betty Broderick ended two lives, but her vengeful act would do a lot more than that. Pop culture has long had a familiarity with ladies who kill the men they can’t keep. People have been singing “Frankie and Johnny” since the turn of the 20th century; George Cukor directed his classic film The Women in 1939. Twenty years ago, however, Betty riveted our attention like no other scorned woman. Instantly she became a new kind of antiheroine. Not only has the post-Betty era been richer in female payback, but unwittingly, in ways none of us could have imagined, she has helped change the rules of retribution. Click to continue »

The Rise and Fall of the Cincinnati Boner King – GQ

Thursday, October 1st, 2009

Steve Warshak made millions on “natural male enhancement.” Now he’s doing hard time.

Originally appeared in GQ October, 2009

BY: Amy Wallace

The ads just ooze intentional cheesiness, none more so than “Enzyte Christmas.”

In the (unlikely) event you’ve never seen it, picture an office holiday party: reindeer sweaters, cubicles festooned with garlands, and antler-headed colleagues engaged in photocopier high jinks. Into this jolly tableau strides Smilin’ Bob—just your average middle manager with a bigger-than-average grin—in a Santa suit. “Not long ago, Santa decided he needed a little more room in his sled,” goes the smarmy voice-over, as a whistling theme song plays in the background. “So he made a call to Enzyte about natural male enhancement. And after a few short weeks, what did he get?” The camera cuts to a group of women who titter and leer in Bob’s general direction. “Why, not only a sleigh full of confidence and a sack full of pride, but it looks like Bob got the one thing that every lady likes: the joy of a gift that keeps on”—big pause—“giving.” Click to continue »

Madoff’s Hollywood Connection – Condé Nast Portfolio

Sunday, March 1st, 2009

The roster of victims goes way beyond Spielberg and Katzenberg.

How did the scam of the century reach all the way across the country and into the pockets of the showbiz elite? It wasn’t hard at all.

Originally appeared in Condé Nast Portfolio March, 2009

BY: Amy Wallace

To hear him talk about the economic challenges facing the entertainment industry, you’d think that Jeffrey Katzenberg, CEO of DreamWorks Animation SKG, would be worried. Still, sitting in a meeting room on the DreamWorks campus, surrounded by plush toys commemorating his company’s biggest hits, Katzenberg speaks in a tone that borders on serenity. Click to continue »

Nastier than a Speeding Bullet — Portfolio

Monday, October 1st, 2007

A battle for control of the Superman franchise pits Time Warner against the original Lois Lane.

Originally appeared in Portfolio, October 2007

BY: Amy Wallace

In May 2002, Richard Parsons, then co-chief operating officer of AOL Time Warner, received a scathing letter from the widow of Jerome Siegel, the man who invented Superman.

  “Dear Dick,” wrote Joanne Siegel. “Have you been aware that your representatives have gone too far?”

In the mid-1930s, when she was in her late teens, Siegel had been the sketch model for Lois Lane. Now she was accusing Parsons’ company of trying to fleece her and her daughter of their share of Superman revenues. She called AOL Time Warner “greedy” and alleged a “heartless attempt” to rewrite history. “Just like the Gestapo, your company wants to strip us naked of our legal rights…. Is that the reputation you want?”

In the five years since Parsons received that three-page screed, Siegel’s outrage has found a more formal outlet: two lawsuits, both championed by a controversial Malibu litigator named Marc Toberoff. The 52-year-old attorney has made a career of taking on big entertainment companies on behalf of creators and their heirs. He has been especially successful against what is now Time Warner.

Click to continue »

Hollywood’s Information Man – LA Magazine

Saturday, September 1st, 2001

He knows the movie business as well as anyone, and when he talks, studio chiefs listen. He’s Variety editor-in-chief Peter Bart, and he lives in curious coexistence with the industry he covers

Originally appeared in Los Angeles Magazine September 1, 2001

BY: Amy Wallace

Peter Bart is on the phone, and he’s threatening to sue.

“I really take umbrage at the gotcha nature of your interrogation,” he says. His voice is taut. I can’t see his knees, but I’m sure at least one is twitching.

Bart, the editor-in-chief of Variety, the entertainment industry’s dominant newspaper, is accustomed to being in charge. Studio heads woo him; strivers kiss his ass. Everyone wants his insight and his wisdom — or prominent placement in Variety’s big, glossy pages. In his weekly column, “The Back Lot,” he alternately strokes and scolds moguls and movie stars, addressing them by their first names. When Bart telephones the powerful, he is put right through. Now he’s calling me.

“I think to plunk documents out of context,” he says, “on people whose lives are as busy as yours or mine is a little unfair. This is not consistent with the access and cooperation I have afforded you.”

Over several months I have encountered a dizzying variety of Peters. I have spent many hours with Charming Peter, who is smart, funny, fierce. I have gotten to know Judgmental Peter, who loves to size up others. I’ve met Crude Peter, Brilliant Peter, Hypocritical Peter, Loyal Peter.

Bart calls himself “Zelig-like.” A setter of rules who hates to follow them, a lover of labels who resents being characterized, a seeker of the truth who doesn’t always tell it, Bart believes he is immune to the conflicts that derail lesser men. It’s one of the things that place him among the most despised and feared people in Hollywood. I listen to him speaking now. It’s a Peter I’ve never met.

“When you’re in public life, people attack you,” Intimidating Peter tells me. “But I’m taken aback by a bogus document suddenly being slammed on the desk. I’ll send you a note saying I will sue you, which I sure as hell will.” Click to continue »

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