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Wise Guy: Seth MacFarlane in Details

Thursday, August 5th, 2010

Seth MacFarlane Sounds Off

The outspoken Family Guy creator has amassed a legion of loyal fans and almost as many mortal enemies—and he has a hundred million reasons to keep the fart jokes coming.

By Amy Wallace

August 2010 Details magazine

Details: Thanks to a $100 million deal with FOX, you’re the highest-paid writer-producer on TV. How has life changed? Seth MacFarlane: I have the same job. I go to the same place every day and work with the same people. I bought a new house. I have a car that I like—an Aston Martin—for Sunday drives in the country. I bought a piece of a plane so I could avoid the airports. But look, I’ll still go through the Burger King drive-thru.

Details: Whopper? Seth MacFarlane: Well, Whopper Jr. these days, now that I’m in my thirties.

Details: Are women just crawling out of the woodwork? Seth MacFarlane: Believe it or not, I have about the same success rate as anyone else. Sometimes you hit, sometimes you miss. When you’re dealing with women of substance and quality, success in Hollywood can be something you’re actually fighting a perception of. Without naming names, there are certainly a lot of people who do what I do who have taken enough hedonistic advantage of their position as to put a negative stigma on the job. If you’re a producer, you’re somebody to check into.

Details: A player. Seth MacFarlane: Exactly. I tried that for a little while. It’s somewhat dissatisfying. With the sort of woman who’s worth spending a significant amount of your time with, you do oftentimes have to press a little bit to insist that they get to know you.

Details: To prove you’re not a cad? Seth MacFarlane: A douche. I don’t own one wool knit cap, though, so I think I’ve got that going for me. Click to continue »

Kenneth Starr = Mini-Madoff?

Thursday, May 27th, 2010

Today’s criminal complaint against Kenneth Starr, the financial adviser to many a Hollywood A-lister, made me dig out a story I wrote last year about business managers who serve the entertainment industry. It ran in the March 2009 issue of Portfolio (the now-defunct business magazine where I was a senior writer). The complaint, as outlined by the Daily Beast, mentions several anonymous clients who were allegedly defrauded by him and his firm. The Beast says those clients include actress Uma Thurman and agent Jim Wiatt. Sound familiar?

Madoff’s Hollywood Connection

By Amy Wallace

The roster of victims goes way beyond Spielberg and Katzenberg. How did the scam of the century reach all the way across the country and into the pockets of the showbiz elite? It wasn’t hard at all.

To hear him talk about the economic challenges facing the entertainment industry, you’d think that Jeffrey Katzenberg, CEO of DreamWorks Animation SKG, would be worried. Still, sitting in a meeting room on the DreamWorks campus, surrounded by plush toys commemorating his company’s biggest hits, Katzenberg speaks in a tone that borders on serenity.

“I tell people, ‘Wherever you are today, this is the new great,’ ” he says, a Kung Fu Panda doll looming over his shoulder. “The sooner you forget what you had, the better off you’ll be.”

Katzenberg’s Zen-like calm is especially surprising, given that just weeks before, he’d learned that he was among the Hollywood victims of Bernard Madoff’s Ponzi scheme. Both Katzenberg and his DreamWorks co-founder, Steven Spielberg, had millions tied up with Madoff, most of it money they’d set aside for charity and all of it probably gone. As Katzenberg speaks of the belt-tightening that is happening in Hollywood, it’s hard not to wonder about his own belt.

“If you look at where you were last summer, and that’s your measure of how you’re doing, it’s hopeless,” he says. His words could also apply to life after Madoff, I suggest. Katzenberg nods. His loss was humiliating, he admits. “It’s gone. It’s finished,” he says. He refuses to reveal how much “it” is, though public tax filings show his and his wife’s foundation had assets of more than $22 million in 2007. “I’m as lucky and as blessed as I can be,” he says. “Let’s move on.”

If only it were so easy. The names of Madoff’s other Hollywood victims are still gradually and grudgingly coming to light. Condé Nast Portfolio has learned that Arnon Milchan, the billionaire producer of such films as Fight Club and Pretty Woman, lost at least $18 million in the scam. (Milchan declined to comment.) Actors Kevin Bacon and Kyra Sedgwick, who are married, have acknowledged that they too were taken. Click to continue »

Viggo Mortensen: Actor, Poet, Publisher, Man – LA Magazine

Tuesday, December 1st, 2009

An email exchange with Viggo Mortensen on the subjects of hope, endurance, and human nature.

Originally appeared in Los Angeles Magazine December, 2009

BY: Amy Wallace

He has been nominated for an Oscar (for the 2007 mystery Eastern Promises) and was declared a bona fide sex symbol (after his turn in the 2005 crime drama A History of Violence). He’s starred in three of the biggest-grossing movies of all time (The Lord of the Rings trilogy in 2001, 2002, and 2003). But Viggo Mortensen has always been motivated more by collaboration than celebrity. His new film, The Road, is an adaptation of Cormac McCarthy’s Pulitzer Prize-winning novel about survival in a postapocalyptic world of cannibalism and other unimaginable horrors. As “The Man,” Mortensen navigates this devastated landscape with his son (played by 11-year-old newcomer Kodi Smit-McPhee). We exchanged e-mails with the actor, poet, publisher (of the L.A.-based Perceval Press), and polyglot (he speaks Danish and Spanish, among other languages) on the subjects of hope, endurance, and human nature. Click to continue »

Madoff’s Hollywood Connection – Condé Nast Portfolio

Sunday, March 1st, 2009

The roster of victims goes way beyond Spielberg and Katzenberg.

How did the scam of the century reach all the way across the country and into the pockets of the showbiz elite? It wasn’t hard at all.

Originally appeared in Condé Nast Portfolio March, 2009

BY: Amy Wallace

To hear him talk about the economic challenges facing the entertainment industry, you’d think that Jeffrey Katzenberg, CEO of DreamWorks Animation SKG, would be worried. Still, sitting in a meeting room on the DreamWorks campus, surrounded by plush toys commemorating his company’s biggest hits, Katzenberg speaks in a tone that borders on serenity. Click to continue »

Greed isn’t so good anymore – Rewriting Wall Street – Condé Nast Portfolio

Sunday, February 1st, 2009

Get Me Rewrite, Rewrite, Rewrite

Fox hits up Hollywood A-listers to make a sequel to Oliver Stone’s Wall Street.

Originally appeared in Condé Nast Portfolio February, 2009

BY: Amy Wallace

Gordon Gekko is an ex-con, fresh out of prison. The year is 2009. The place: New York. In Money Never Sleeps, a script floating around Hollywood, Gekko, the corporate raider from Wall Street, is back. Now barred from trading, Gekko ­instead reads to poor kids in Harlem by day and hosts charity galas by night. He is an avid art collector whose cell-phone ringtone plays the crashing chords from Modest Mussorgsky’s Pictures at an Exhibition. Click to continue »

Nastier than a Speeding Bullet — Portfolio

Monday, October 1st, 2007

A battle for control of the Superman franchise pits Time Warner against the original Lois Lane.

Originally appeared in Portfolio, October 2007

BY: Amy Wallace

In May 2002, Richard Parsons, then co-chief operating officer of AOL Time Warner, received a scathing letter from the widow of Jerome Siegel, the man who invented Superman.

  “Dear Dick,” wrote Joanne Siegel. “Have you been aware that your representatives have gone too far?”

In the mid-1930s, when she was in her late teens, Siegel had been the sketch model for Lois Lane. Now she was accusing Parsons’ company of trying to fleece her and her daughter of their share of Superman revenues. She called AOL Time Warner “greedy” and alleged a “heartless attempt” to rewrite history. “Just like the Gestapo, your company wants to strip us naked of our legal rights…. Is that the reputation you want?”

In the five years since Parsons received that three-page screed, Siegel’s outrage has found a more formal outlet: two lawsuits, both championed by a controversial Malibu litigator named Marc Toberoff. The 52-year-old attorney has made a career of taking on big entertainment companies on behalf of creators and their heirs. He has been especially successful against what is now Time Warner.

Click to continue »

Robert Newman – LA Magazine

Saturday, March 1st, 2003

The Un-agent Agent: He represents top directors. He drives a hard bargain. Mostly, though, Robert Newman just loves to sit in the dark

Originally appeared in Los Angeles Magazine March 1, 2003

BY: Amy Wallace

Robert Newman knows every movie theater in Los Angeles — where it is, what kind of seating it has, how many trailers it shows. Six of those theaters are on his speed dial. The numbers link him not to a recording but to a person who can tell him how big the screens are, which shows are most crowded. He loves crowds. He has never understood private screening rooms. He won’t watch a movie with just ten people if he can help it. He tries to see everything, preferably on opening weekend. If he hates a movie and walks out, at least he got a feeling for the audience, what the vibe was. “You walk in,” he says. “You have a point of view. The trailers go on. Okay. Done. Count me in.” Click to continue »

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